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May 2003 - Brushing Up |
| When
it comes to painting, it pays to choose the right tool for the
job |
Thankfully,
the old adage, “You get what you pay for” still
applies to paintbrushes. If you’ve ever used a cheap brush
and been disappointed with the results, you know a lousy one
can make it almost impossible to get a finish that’s free
of unsightly brush strokes. Although softer bristles make for
the smoothest finish, they can also make the brush harder to
control and require more refined technique. On the other hand,
a stiff-bristled brush, while allowing for more control, compromises
the smoothness of the finish. Weigh the needs of the job and
your expectations when looking for a reasonable balance of the
two.
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At one time the synthetic bristles of economy paintbrushes
tended to require a fair amount of force to get paint onto
a surface and would therefore leave deep brush marks behind.
But advancements in synthetic brushes in recent years have
yielded polyester and nylon brushes with performance (and
price) that put them almost on par with their natural-bristle
competitors.
[1]
A quality two-inch synthetic angled sash brush is a good
choice for interior trim, and is ideally suited for applying
water-based finishes. One way to judge the quality of a
paintbrush is to examine its bristles for split ends, known
as “flags,” which enable the brush to retain
more paint and spread it more uniformly. On high-quality
brushes, at least half of the bristles should be flagged.
[2]
A higher-quality (and softer) two-inch angled brush with
nylon bristles and flagged ends is a good choice for both
water- and oil-based paints. Natural-bristle brushes work
well for applying oil-based stains and varnish.
[3]
This high-quality three-inch china-bristle brush is an ideal
choice for both interior and exterior work with oil-based
finishes.
[4]
Brush spinners save a lot of labour when it comes time to
spin out the solvent during cleanup.
[5] For
medium-sized areas such as cupboards, floors, picket fences
and tabletops, use a flat sash brush, two to three-inches
wide.
[6]
Modern fine-bristled paint pads like this corner-painter
can make short and tidy work of difficult-to-paint angles
and trim.
[7]
When painting large surfaces (ceilings, floors and decks),
use a three- to six-inch wide flatting brush to make relatively
short work of large flat areas.
[8]
Small foam applicators, like this inexpensive one-inch model
are ideal for touch-ups.
Douglas Thomson, photo by Daniel Harrison
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